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Composition Contest · Fauxharmonic Orchestra Burmese bells. Car horns. Castagnets Caxixi Chimes Church bells. Claves Cow bells (cencerros) Crotales Cuíca Finger bells. Flexatone Guiro Guns (shots) ... 2.
Symphony No. 7, op. 92 - IV Allegro con brio (complete movement ... Dec 10, 2008 ... icon for podpress Symphony No. 7, Op. 92 - IV Allegro con brio [8:04m]: Play Now | Play in Popup. Tags: Beethoven. Search this site ... 3.
Beethoven - Symphony No. 1 in C, op. 21 - II Andante cantabile con ... Sep 27, 2008 ... Second movement, andante cantabile con moto, from Beethoven’s Symphony No. 1 in C Major, Op. 21. Conducted by Paul Henry Smith. ... 4.
Symphony No. 7, op. 92 - Allegretto (complete) · Fauxharmonic ... Apr 25, 2007 ... This episode presents the complete performance of the second movement, Allegretto, of Beethoven’s Seventh Symphony, Op. 92. ... 5.
Symphony No. 7, op. 92 - Allegretto (complete) · Fauxharmonic ... Apr 25, 2007 ... In this episode you can hear the complete performance of the second movement, Allegretto, of Beethoven's Seventh Symphony. 6.
2006 Orchestral Composition Contest Winner: David Heuser ... Jun 16, 2006 ... http://www.fauxharmonic.com/2006/06/16/2006-orchestral-composition-contest-winner-david-heuser/trackback/. April 2, 2007 at 3:35 am ... 7.
Beethoven Digital Symphonies · Fauxharmonic Orchestra We are fortunate to have the support of the Vienna Symphonic Library, whose founder and CEO, Herb Tucmandl, calls our project a “huge undertaking.” ... 8.
“Voorbij Twee Windstreken” - by Emiel Stöpler · Fauxharmonic Orchestra Emiel Stöpler was born in the Netherlands, but lived in the US during his teenage years. After trying out clarinet and drums, he developed an interest in ... 9.
Hidden clarinet melody? · Fauxharmonic Orchestra Apr 24, 2007 ... The clarinet and bassoon are playing the melody. ... The way they first come in as a coloring, harmonic entity aligned functionally with the ... 10.
Hidden clarinet melody? · Fauxharmonic Orchestra Apr 24, 2007 ... We can hear the melody too clearly.” In other words, I think it’s simply the default outcome when playing this piece that those sustained ... |
