1.
Texts and labels: Women: American Identities: Museums and Millennium
Uruguayan artists are part of the visual discourse supporting the social construction of ... Women’s art has acquired new value in contemporary Uruguay, ...
2.
Texts and labels: Women: American Identities: Museums and Millennium
Uruguayan artists are part of the visual discourse supporting the social construction of ... Women’s art has acquired new value in contemporary Uruguay, ...
3.
Texts and labels: First Nations: American Identities
The bottom tool is a bark beater and the other two are bark shredders. The top shredder was collected in 1884; the other tools are part of the C. F. ...
4.
Texts and labels: First Nations: American Identities
The bottom tool is a bark beater and the other two are bark shredders. The top shredder was collected in 1884; the other tools are part of the C. F. ...
5.
Texts and labels: First Nations: American Identities
Native identity: notion of native territory, objects and traditions.
6.
Texts and labels: Women: American Identities: Museums and Millennium
Uruguayan artists are part of the visual discourse supporting the social construction of ... Women’s art has acquired new value in contemporary Uruguay, ...
7.
Texts and labels: Museum : The Museum as Social Actor : American ...
IRegional identity: the museumÕs role as social actor in a disadvantaged community.
8.
Inclusion/Exclusion :American Identities : Museums & Millennium
Social identity: the utopia of education and egalitarian work for all. Contrast between street people and the educated class.
9.
Museum : The Museum as Social Actor : American Identities ...
IRegional identity: the museumÕs role as social actor in a disadvantaged community.
10.
Texts and labels: City: American identities: Museums & millennium
Alaka Wali, Director, and Madeleine Tudor, Center for Cultural Understanding and Change (CCUC), Field Museum of Natural History, Chicago, USA.
